.szacharek: 'The Outfit' is a pleasing, wicked little thriller rendered in tones of muted flannel
It’s 1956 Chicago, where the Savile Row–trained Leonard now runs his own shop, making fine suits for a clientele heavy on high-ranking gangsters. Though Leonard allows his workspace to be used as a sort of message center for the mob, he keeps his head down and his nose clean, focusing mostly on turning out meticulously worked buttonholes, or cutting through swaths of wool with his treasured shears.
At the center of this clever pinwheel of a story—Moore co-wrote the script with Johnathan McClain—is Rylance, whose economy of motion and emotion is a marvel. As he sits quietly and watchfully sewing a sleeve hem, you believe in every stitch—Rylance shows how Leonard’s confidence in his work ripples through him like electricity, reaching right through his fingertips. At times Rylance’s Leonard has the eyes of an anxious terrier, wary and alert.
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