Aurora's songs are so relentless in their campaign to be cool that you can anticipate every mapped out moment and perfectly vetted pitch glide.
that giving it a true ’70s feel isn’t the focus. The goal seems to be to make these songs hits in today’s market, for Target moms who ordinarily prefer Top 40 Country, but found thebook on an endcap one day, liked it, and have now decided to give this show, and its music, a try. It’s not a bad strategy, from a marketing standpoint, to steer the album’s sound in the direction of that flashy-clean Nashville style. It’s probably what helped to get this show made, that crossover appeal.
The thing is, great records and great movies about music need some point of contrast to work best, something weird or at least different from the rest of its offerings. In music movies, it’s usually another musician character with a distinctly different sound, as with Stark Sands’ character Troy Nelson, the golden boy army man folk singer in, we don’t even get a sense of a distinct writing voice between the two main characters.
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