Rihanna, Mirrors, and America: Processing 'Slave Play'’s Set Design

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Rihanna, Mirrors, and America: Processing 'Slave Play'’s Set Design
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'My first introduction to theater was through street theater, basically like protests. I really saw the power of performance and what it could do as a catalyst for thought.'

, it’s exactly that feeling of a gut punch. I’m a POC, I have a white husband. A lot of that plays into it, but I know not only did it land personally, I had to really locate where that pain was. The dialogue with Jeremy and Robert—we all were coming at the play from different angles. Jeremy really wanted to make sure that there was… I remember this. He used the word “verisimilitude” in the plantation. He said, “I really want to make sure that we are on a plantation.

MACIAS: Why that specific song? It’s used from the beginning of the play. It’s the first thing that you interact with as an audience member.Rihanna MACIAS: How was it for you, as a POC, getting to exert your own creative vision over the Antebellum plantation era? Was it hard to tackle that and reshape it for a new generation?

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