Deborah Warner’s detailed new production sets Britten’s opera in a decayed coastal town in post-Brexit Britain. Allan Clayton – on top form – leads an outstanding cast; conductor Mark Elder emphasises the score’s beauty and well as its violence
as a decayed, isolated coastal town in post-Brexit Britain, a place of boarded-up shop fronts and desperate poverty where hatred, blame and prejudice fester amid the deprivation, and where a loner such as Clayton’s Grimes almost inevitably becomes the victim of a community looking for a scapegoat.
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