Introducing the new queen of British comedy.
Ask her something more serious, though, and the perfectionist often pauses to correct herself. She slows right down as she explains why she thinks the success oftriggered a wave of copycat productions from women: “I could talk poetically about, you know, taking up space, but it just revealed itself to be a route [to success],” she says, explaining it was a reaction to a lack of “interesting and complex” roles for women.
She’s even more careful when it comes to describing why she doesn’t see herself represented by the wave of widely-hailed “relatable” characters that came out of it. “‘Relatability’ has somewhat become a synonym for a certain kind of flawed or imperfect,” she says. “But I relate to different people: ones who overthink things, and spend too much time in prep, and end up not doing things at the expense of spontaneity, fun, joy. I’m very private. I like people to see the finished product.
Kingsman’s going to have to spend a lot of time apart from Emmet in the coming months. She’s about to begin production on another French comedy show. . And she’s got plans to takehome to Australia. “Then I will just sort of just get on the floor and lie horizontally for a bit,” she laughs.ready for opening night at the Ambassadors Theatre on 14 December.
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