How Stephen Lang Turned ‘Don’t Breathe’ Villain Into a Protagonist

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How Stephen Lang Turned ‘Don’t Breathe’ Villain Into a Protagonist
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The actor strove to show The Blind Man's weaknesses in this installment.

When the premise was unveiled of The Blind Man becoming the protagonist, it was met with controversy, with critics questioning if the character should be seen in a heroic light after his crimes in the first film. Yet Lang believes the production handled it with care.

Before filming this, you spent time in quarantine educating your small grandchildren. Did that prepare you to work with a young actor on this role?I think it did. I certainly do enjoy relating to real young kids at this point, just having reached a certain age myself. They fill you with hope and the last year or so was such a difficult time for everyone that any place you could look for some inspiration and for some hope and some good vibes, that’s good place to go.

Talking to other actors who have worked with children, they enjoy how kids give different types performances. They aren’t schooled, necessarily. Did you learn anything from her? I did. I was filled with admiration for her, truly, because she has ice water running through her veins. We were on difficult sets. They were dark, they were dank. They were somewhat dangerous. A lot of sharp edges. Stuff like that. Madelyn just brings her own sense of serenity and joy with her. When the director would say action, she was right there. When the director said cut, she was Madeline again. It’s a great gift. I loved talking with her about the scenes. Massaging scenes.

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