DreamWorks Animation’s “Abominable” is a fantasy about a city girl and two cousins helping a Yeti travel across China to its Mount Everest home, but creating the film’s look with virtual lighting a…
The high cost of producing high-quality animation requires extensive pre-production planning, Necci says. No detail is too small, he notes, with ever-changing creative parameters requiring the lighting to be adjusted and placed by hand for every frame of the movie.DreamWorks’ software imitates the rules by which light creates shadows in real life — but in the computer, the way light works can be altered when necessary.
Production designer Max Boas doesn’t have a similar background in live-action, but to him, the process is similar. “We come up with things in the art department,” says Boas, “and it’s physically created [on screen], so we’re making a world.” “Knowing where things will take place is huge,” says Boas. “Everything is art-directed [to that] point. You don’t want to overbuild and waste money worrying about surfacing the ground in an area we’re never even going to see. It’s all about having the foresight of knowing where things will take place.”
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