Filmmaker Rebeca Huntt discusses exploring universal truths and intimacies in her debut film 📝 jenna__caldwell
, filmmaker Rebeca Huntt crafts a story that feels universal while remaining all hers. The movie, Huntt’s debut feature, explores her identity through an intimate moving self-portrait.
Because it’s torture. But also because it serves a specific purpose, the fact that it’s a sort of existential coming of age, in this moment, where we’re thrust into adulthood, and to an absurd society. We live in absurdity at all times. To go from that moment in your early 20s, when you’re constantly going through quantum leaps, but also having to navigate being fully responsible for yourself is fascinating.
My mother was very challenging. Like you saw on the film, it wasn’t even an interview. And actually, we did it twice. And that was the better interview. The first time it was so hard for us to communicate. That was a very, very complex moment in our relationship. So communication wasn’t at its best. My father actually surprised me. He was a natural on the camera. He answered all the questions. He was really easy to interview, my sister as well. She’s great on the camera.
The very nature of 16 mm is limited, it’s limited what it can actually capture. When I visualize the concept of intimacy, it’s a limited and pulsating view. That’s what intimacy is. And when you’re shooting on 16 millimeter, it has this pulsating quality to it.
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