Zella Day leaps forward on 'Sunday in Heaven,' her first new album in seven years. Read Candace McDuffie's review:
, Day explained: “At the time of writing [“Radio Silence,”] I could have never guessed that this would actually be the reality that we’re standing in today. I’m really grateful that the song has come at a time where it can contribute to the allyship.” It also shows the complexity and introspection of which the artist is capable at just 27 years of age.opener “Mushroom Punch” show how desire can be painfully mitigated by self-awareness.
The robust disposition of the record also displays Day’s immense growth in her craft. A large part of this is due to contributions from Cage the Elephant producer Jay Joyce, as well as Alex Casnoff and John Velasquez. However, it is also because the singer is more willing than ever to take risks. That dedication can be heard on the folksy and pulsing rhythms of “Am I Still Your Baby.”
It is also palpable in the disco-inspired rhythms and intonations of “Dance for Love,” which is one of the best moments on the album. Its light and airy feel easily make it dance-floor gold; Day’s warm vocals make the track even more irresistible. The same can be said for “Golden,” which is slower-paced, but is still saturated with rich instrumentation.
The saccharine appeal of “I Don’t Know How To End” encapsulates Day’s ruminating over love. This sentiment is continued on the piano ballad “Bunny,” where her voice is the most bare and vulnerable we’ve ever heard it. The acoustic guitar on “Almost Good” allows Day to double down on her softness, even though its climatic buildup works in contrast to it.
The title track, which is the final one on the album, is a quiet, solemn conclusion to an otherwise thunderous body of work. Day’s humming, though, feels more ominous than soothing as she describes her version of ethereal paradise: “The poppies won’t bloom / They are laying down for a nap / On the couch in God’s living room.”ultimately reveals about evolution is clear: Even though it takes time to make thoughtful and progressive art, the wait always proves to be worth it.
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