“The messier you are, the more mistakes you make, the more vulnerable you are, the better it is” – Margaret Qualley See the cover story from the Spring/Summer 2022 issue of AnOther here ➡️ 📸 by Collier Schorr, styling by Emma Wyman
campaigns – she is such a funny and self-deprecating raconteur that it’s possible to suspend disbelief. Sprawled across a sofa in her New York City apartment, Qualley is dressed casually in a T-shirt, her hair pulled back in a French plait. She’s in high spirits despite the fact that she’s got a nasty-looking infection in her right eye. “Don’t mind my eye!” she hoots, leaning into the camera so I can get a closer look. “I have this crazy thing going on. Or do mind it. It’s been a process.
“For young women ... we’re often told that our accounts of reality aren’t correct. That the way you feel and the way you’re experiencing the world is somehow your fault” – Margaret Qualley In less than a decade Qualley has become one of Hollywood’s brightest talents, even if she doesn’t actually live in the epicentre of the movie industry. “New York feels very cosy to me,” she says. “LA feels scary. LA feels like I’ll never be good enough.”
Her on-screen relationship with daughter Maddy, played by five-year-old Rylea Nevaeh Whittet, is the emotional heart of the show. “I became obsessed with hanging out with Rylea,” Qualley says, “because the hardest challenge was to make a convincing mother-daughter relationship. I’m not a mom and it’s a really challenging feat to be a believable mother to a child I don’t know, and who doesn’t know me, more importantly.
I ask her whether she still feels like a people-pleaser. “Definitely,” she responds. “A lot of actors – and people – are people-pleasers. Who doesn’t want love? And it seems like the easiest way to get it. I don’t know if it’s the right way to get it, but it seems to make sense. If I make this person happy, maybe they’ll stick around; maybe they’ll love me and love feels great.
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