We chat with Yellowjackets composers Anna Waronker and craigwedren about expanding the bold musical aesthetic of the hit drama series for season 2, crafting Misty's musical number, and more:
Warning: SPOILERS for Yellowjackets season 2!Yellowjackets season 2 has come to a close in a fittingly disturbed and gripping fashion. The hit Showtime series grabbed the attention of viewers worldwide when it debuted in 2021, and now has successfully ramped up the suspense, horror, and thrills that made it a hit, even while explaining things like the first season’s cannibalistic ritual.
Craig Wedren: We were developing the cosmology, and the themes, and who got what sound, and who got which little riff. Craig Wedren: We had thought we kind of overshot it, like, "We're going to have plenty of material for season 2." Then, we spotted--spotting's when you sit down with the locked cut with the producers and the editor and talk through the music--and we were like, "Oh, s***, they completely beat us at our own game." It was so much wilder and more radical than what we had anticipated.Craig Wedren: We very deliberately don't read the scripts because--tell them why.
Craig Wedren: Part of what's great about our dynamic, one of the many things, is that Anna, as she's said, is very Tetris-brained. She's thinking a lot about themes, and connections, and where the pieces go. I salivate over generating new material, so I'm always like, "Let's write something new. Let's write something new!" and she's like, "Slow the ***k down".
Anna Waronker: They approached us and they were just like, "We really want some kind of Fosse-meets-MGM number." They knew our rock sides and they knew our composing histories, but they didn't know that we're songwriting freaks too. Anna Waronker: It was a really fun exercise in the middle of some really intense score that we were working on.
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