The political intrigues muddy the drama of conscience but this is a sleek futuristic staging of Sophocles’ tragedy, adapted by Darren Murphy
has a futuristic edge, with Ciaran Bagnall’s design suggesting an art gallery where seductive technology enables new forms of surveillance and control. In an intense confrontation between uncle and niece, each accuses the other of “weaponising” the virus. Bristling with references to culture wars, including plans to destroy statues of dead statesmen, intergenerational conflict is the central theme here, powerfully portrayed.
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