Refik Anadol's AI-generated art show opened this week at Jeffrey Deitch during Frieze. It's the artist's first major solo gallery exhibition in L.A.
The show features Anadol’s hypnotic,“living paintings,” which transform publicly available data and images into vibrant, abstract digital works swirling and whooshing within their frames. For a show that’s heavily tech-driven, the exhibition feels counterintuitively organic, collectively depicting
along with a fourth work, “Coral Dreams,” which is not otherwise on view in the show. Excerpts from Anadol’s 2021 “Machine Hallucinations” series, including “Coral Dreams,” served as the backdrop for this year’sThe screen for this central work, “Living Paintings Immersive Editions,” falls flush against the ground, so that the digital imagery spills onto the gallery’s polished concrete floor, engulfing viewers in flashes of color, spools of white light and dynamic, jewel-toned shadows.
It comes from a very childish imagination. It started when I started playing with computers, creating software, at 8 years old. I’ve always believed there’s another world around us that we cannot perceive but that exists. If you think about data, sensors and machines, we know that they communicate with each other through signals. And signals are not visible, but we know they exist. [I want] to demystify that reality.
You talk about working with data — wind speed currents, precipitation and air pressure, even brain waves — as ifWhen I think about data as a pigment, I feel like it’s always changing, always shape-shifting, it doesn’t dry. It’s constantly in flux. So I feel like data become a pigment, and that’s what the feeling will be. That’s one of the reasons, in the exhibition, everything is alive, in contrast to being frozen.
What is art is what happens after [the AI plays a role]. Personally, I spend more time with the AI findings, the AI outputs, so I don’t just use what the AI does. I personally spend more time after the AI created things. And I’m pretty sure many artists, at the moment, are imagining what else they can do with these new tools. I believe it’s also saving time and enhancing creativity.
It’s [about] the similarities of our minds, it represents similar patterns. Even though memories are personal and unique for us, still there’s a pattern that we all create together in a similar way, and these three portraits are representing our similarities.
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