'Last Voyage of the Demeter’: Why Dracula Looks So Good in the Movie
The Big Picture One of the greatest challenges when making a monster movie is nailing the creature reveal. Not only must one figure out exactly how much to show and when, but then, when the full reveal does come, the design absolutely must live up to the hype set by the film’s building tension and dread.
ANDRÉ ØVREDAL: I think the job of the director is to retain that vision. Whatever I felt when I read the script the very first time – when I fall in love with a script at that level, at that stage, I need to make sure that’s the movie I’m showing the audience at the end of the process. So it is a constant battle, if you will, to make sure that everyone else gets behind that vision, and to physically get it right.
ØVREDAL: No, not much. It was always meant to be this kind of demon at the end of the movie. It's described in the script so I can't even take credit for it, but it's my job to then guide it, and it was just such a fun vision of what Dracula should be, and I embraced that. With the producers and with everyone, with the VFX people, with the special effects designers, we kind of came up with this creature that I was very happy with. But, as you know, it's a process.
ØVREDAL: He's such a character actor. He really thinks like the creature, he really puts himself in the spot of the person he is, the mentality. Whether it's very animalistic or it's very intelligent, he's able to portray all these things. And he has a body language that is so unique that you can't really predict, and he could come up with suggestions for how to portray this moment or that moment, in just the details of how he uses his fingers or how he moves his body.
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