Earlier this week, the designer quietly dropped his final collection based on his greatest hits.
It's hard to find traces of Tom Ford’s first Tom Ford show online. It took place in 2010, six years after people cried at his final show for Gucci, in the eponymous brand’s first store on Madison Avenue. The 100 invitees were seated on gold chairs, crammed into a space so small the models—a cast of “many of the world’s most inspirational women,” as he announced himself via microphone before they walked down the runway—brushed against the attendees' knees.
The videos were shot in a long cement hallway lit by dim blue lights. Standing in three large glass displays reminiscent of exhibits at history museums were models like Joan Smalls, Amber Valetta and Karlie Kloss, squirming and strutting in their encasements. Tom Ford stood outside, peering in at his creations, flicking his wrists like a maestro as their faces pressed against the glass.
And while it doesn’t feel right that the same creative director who took his final bow in front of a crying audience at Gucci while being showered with rose petals would choose such a quiet exit this time around, it does seem cinematic that he directed his final scene leaving people wanting more. After all, Mr. Ford is solely a filmmaker now.Previously, she was the style writer at
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