Marching orders for Martyn Zub and the rest of the 'John Wick' sound team? Make it bad, cool, angry, mean and loud. And also lots of fun.
When director Chad Stahelski’s third chapter of the “John Wick” saga arrived in theaters this past May, critics and general audiences fell for its amped-up, well-choreographed fights, stunning backdrops and the return of its mysterious protagonist portrayed by Keanu Reeves.
“We know what he likes, and his main directive is to make it bad, cool, angry, mean and loud — and also lots of fun. We also need to keep the mystery around John Wick, because he is the legendary hit man known as ‘The Boogeyman!’”The world of Wick expands dramatically in the third movie. How did that impact the aural tasks?
Sofia’s dogs are beautiful, but as soon as they are put into action, they become street killers. The sounds of animals in general are hard to cut, mix and design. When the dogs attack the bad guys, we wanted them to sound as violent as possible. In addition to the dog growls and aggressive barks, we added sweeteners of bears and wolves noises to make that impact more violent.
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