A goth Veronica Mars attends an all-ghouls school, resulting in aimless teenage melodrama and very little of the macabre.
is that they are just acceptable enough to be tolerated by their normal neighbors, while also staying true to their weird and wacky roots. They teach “normal” people how to interact with people unlike themselves, and accept every kind of person into their arms wholeheartedly. The problem withand “outcasts,” going so far as to make a very trite twist at the end, because.
This is a frustratingly simple takeaway that is emblematic of the show itself. It talks down to its teenage audience, presenting banal black-and-white issues of morality and melodrama with the kind of grim determination of an executioner’s axe.
, especially as I went into this series hoping that Tim Burton’s aesthetically pleasing, overly stylized taste would make this at least a visually-interesting watch. Not so.Without the restriction of condensed sets, and with a lot of important conversations taking place in a Jericho coffeeshop rather than in Nevermore Academy, there is little flourish to the overly-dark scenes. Shot inrarely makes herself memorable, disappearing into the shadows of her own show.
The closest pass this show has with wit is through dry and humorless twists on idioms. “I don’t bury hatchets. I sharpen them.” “If you hear me screaming bloody murder, there’s a good chance I’m just enjoying myself.” “Tortured writer, emphasis on torture.” These lines, delivered gracelessly and with maudlin teenage self-importance, should have been kept to elevator advertisements and twee billboards.
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