Film review: Jennifer Lopez in Hustlers
“This whole country’s a strip club. You’ve got people tossing the money and people doing the dance,” Lopez’s Regina tells Julia Stiles , who plays a version of nonjudgmental journalist Jessica Pressler, investigating the case. Practically everyone in “Hustlers” is playing some version of a real person, although Stiles is just about the only one whose casting doesn’t amount to a million-dollar makeover.
By incorporating Pressler’s reporting into her big-screen treatment, Scafaria raises questions about representation right off the top: What kind of biases do outsiders bring when they think about strippers? “Hustlers” humanizes the women at its center, giving them boyfriends, backstories and, most importantly, agency.
Destiny’s new-girl status excuses Wu’s relatively clumsy moves while giving Scafaria reason to walk audiences through the profession. Unless you’ve given or gotten a lap dance yourself, the rules of the game are not at all obvious — and frankly, remain a bit too mysterious in their impartial explanation here. At a club like Moves , the women earn nothing for dancing but work for tips, giving a hefty cut to the club, which provides the rooms where the patrons start to get really generous.
Things are safer when the women work together — as Destiny starts to do with Ramona — which also makes it easier to coax more cash out of their human ATMs. “It’s a business, and it’s more honest than any transaction they did that day,” Destiny explains, buying Gucci bags with a stack of sweat-soaked singles while a prim-and-proper saleswoman looks on in mild disapproval.
Brasil Últimas Notícias, Brasil Manchetes
Similar News:Você também pode ler notícias semelhantes a esta que coletamos de outras fontes de notícias.
Toronto Film Review: ‘While at War’Alejandro Amenábar went 15 years without making a feature in Spain, and his first such since the excellent “The Sea Inside” is notable not only for being a 20th-century Spanish history lesson, but …
Consulte Mais informação »
Toronto Film Review: ‘Clifton Hill’The notion of Niagara Falls as more than a tourist trap — as a place where people live and labor into the off-season, when the water is “turned down” and diverted to a hydroelectric plant — is the …
Consulte Mais informação »
Toronto Film Review: ‘The Personal History of David Copperfield’Armando Iannucci believes that modern (British) comedy owes a considerable debt to Charles Dickens, and he should know. Iannucci produces some of the wickedest, and most colorful, laughter to be fo…
Consulte Mais informação »
Toronto Film Review: ‘Just Mercy’There’s a sequence in “Just Mercy” — one of many — that will shake you to your soul. It’s the late 1980s, and Bryan Stevenson (Michael B. Jordan), a young African-American lawyer in cri…
Consulte Mais informação »
Toronto Film Review: ‘Radioactive’In 1895 Paris, Polish immigrant Maria Salomea Skłodowska (Rosamund Pike) was already headed toward a scientific breakthrough when she met fellow researcher Pierre Curie (Sam Riley). When the two ph…
Consulte Mais informação »
Toronto Film Review: ‘Dads’You’d think modern-day societies would have moved past the old-fashioned narrative about fathers by now, especially with the heteronormative idea of family increasingly and rightfully shifting, cha…
Consulte Mais informação »