These films are bringing tears and traumas to Toronto.
is the chance to experience a movie fresh, before your expectations have been shaped by advance raves and pans, summaries and spoilers. At the same time, because a festival naturally functions as an incubator of buzz, where early reactions are amplified and sometimes distorted, it can take a real effort to avoid those reactions — to keep your head down, your ears closed and your mind as open as possible until you’ve seen a movie for yourself.
And so I’m pleased not only to have seen “Waves,” the emotionally shattering and thrillingly unpredictable new movie, but also to have taken the advice of friends and colleagues who’d warned me to go in as cold as possible. The only way for you to ensure a similarly untainted experience would be to stop reading now and see the movie when A24 releases it Nov. 1 in theaters, which you should do in any case. For those who choose to read on, I will try to be as oblique as possible.
The opening moments of “Waves” have an infectious pop beat and an enveloping, sun-drenched exuberance. We jump into a car with Tyler , an outgoing kid and high-school wrestling star, and his girlfriend, Alexis , as they drive around the South Florida suburb they call home. Their lust for life is infectious; we could be watching a kinetic essay on the beauty of the body in motion.
We soon meet the rest of Tyler’s family, whom he gets along with well enough, though he doesn’t have much time for his stepmother, Catherine , or his younger sister, Emily . His father, Ronald , is attentive but gruff, nagging his son to work hard and show respect. Their dynamic is compulsively physical; the two bond over arm wrestling and weight lifting, though only we in the audience are really privy to what’s going on in Tyler’s head.
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