TopGunMaverick director Joseph Kosinski breaks down all the reasons why you have to see it in IMAX.
I know a lot of you are planning on seeing Top Gun: Maverick this weekend. And you should. The Tom Cruise led sequel is one of my favorite movies of the year, and it’s loaded with incredible visuals, great performances, and it actually makes the original film better with the way it adds to Maverick’s story.
JOSEPH KOSINSKI: I'm good. I'm excited. It's finally out. Waited five years for this weekend, and I'm excited for people to see it on the big screen. You've obviously seen a lot of movies in IMAX. Do you have a favorite movie experience of going to see a movie in IMAX? You mentioned you have six cameras, and an F-18 cockpit is not very large. Talk about the camera and how you can actually put it in the cockpit?
KOSINSKI: Well, we do capture the whole film full-frame, so we have that ability to open the whole film if we wanted to, but that extra head space for those dramatic scenes to me, didn't help. It was good to kind of keep it more intimate and then open up the film for the aerial sequences. So, that's the choice we made.
KOSINSKI: Well, before the Rialto, I don't think we would've been able to fit six cameras. It probably would've been one or two. So, the amount of coverage would've been less. We wouldn't have had as much variety and as much choice in the edit to show different angles. It would've been harder, and I don't think would've been as good as what we were able to do with that camera.
What is it like mastering a movie in IMAX? Can you sort of compare what is it like mastering Spiderhead to say, Top Gun: Maverick? What people don't realize, it's the director acting as a painter. You're literally painting the movie.
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