An all-star production of Britten’s opera thrilled; Soviet-era melancholy flowed through Shostakovich’s quartets; and the RPO rose to their game-changing new conductor
immediately cuts to its tragic chase. The tenor Allan Clayton, as the eponymous fisherman, rolls and flops across the bare stage like a netted halibut in its last gasp of survival. An aerialist tumbles into the deep from a suspended boat, perhaps Grimes, perhaps the boy apprentice who died on his watch.
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