The Red Hot Chili Peppers Return to Their Californicating Glory With ‘Unlimited Love’. Read our review.
On lead single “Black Summer,” Frusciante vamps and singer Anthony Kiedis serves up a wacky little Irish pirate accent. The band tends to get a lot of flak for Kiedis’ lyrics, a sometimes confounding stream of consciousness that would leave James Joyce scratching his head. But for fans, this is often what makes them so delightful, and if you dig beneath the sometimes-
muddled surface, there is often a deeper message. Some of the songs here, including “Black Summer,” address underlying climate and Earth anxiety. On “The Great Apes,” a kind of booming arena-rock singalong, Kiedis begs, “I just want the great apes to be free.” Much of the album feels like a tour of the band’s greatest tropes. Take the funky “Aquatic Mouth Dance,” which feels like an ode to their funk-rap past, as Flea slaps the bass beneath Kiedis spitting a mix of random references and sometimes earnest yearning. Moving the song forward is a flush of horns, a surprising and gorgeous addition to many of the tracks on the album.
Cuts like the highlight “White Braids & Pillow Chair,” “It’s Only Natural,” “She’s a Lover,” and “Veronica” are often silly love songs , but they’re genuinely tender, evoking the oceanic feelings of the more restrained moments of Seventies FM rock onMore than anything, this record feels like a coming home. There’s a certain magic that happens with these four musicians, and Frusciante’s absence always leaves a piece of the puzzle missing. Thankfully, he always finds his way back.
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