'Everything Everywhere All At Once' receives the Oscar for best picture at this year's Academy Awards.
. That happens most years anyway, and it’s long been the prerogative of film critics and Oscar voters to disagree. And from the moment it appeared on the scene, “Everything Everywhere All at Once,” Daniel Kwan and Daniel Scheinert’s frenzied mash-up of immigrant fable, martial-arts spectacular, cosmological slapstick and multiverse-spanning group hug, has provoked more than its share of disagreement.
, I filed an admiring but ambivalent notice that seems a tad mealymouthed in retrospect: “I don’t know if this movie fully works in this universe, but I suspect it might in the next.”Several months and several viewings later, I’m still waiting for that next universe to kick in, still trying to see the lasting greatness that so many others see in this admirably ambitious, wildly idiosyncratic and maddeningly overwrought movie.
How to reckon, then, with the fact that “Everything Everywhere All at Once,” with its phenomenal box office success and seven Oscar wins Sunday night, now stands as the most culturally and commercially significant Asian American movie ever made? It’s undeniably a watershed moment, and after roughly a century’s worth of Hollywood indifference to Asian characters, actors, stories and storytellers — plus the past few years’ heightened anti-Asian violence and rhetoric — it’s not one to be taken...
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'Everything Everywhere All at Once' directors celebrate unique take on making movies'The title of the movie was the goal.' Directors Daniel Scheinert and Daniel Kwan could take home Oscars for writing, directing and producing for 'Everything Everywhere All at Once.'
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‘Everything Everywhere All at Once’ Has an Unforgivable Flaw'Seeing “Big Nose” appear in the credits felt like a sick joke, a gut punch that a movie that does so many things well—including showing how growth and tolerance can make the world a better place—except for Jews,' writes Barry Levitt
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How “Everything Everywhere All at Once” Became This Year’s Oscar UnicornOn its surface, “Everything Everywhere All at Once” doesn’t have the hallmarks of Oscar bait. But the film is this year’s unicorn, MJSchulman writes: “a defiantly weird non-franchise crowd-pleaser.”
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How Everything Everywhere All at Once's Visual Effects Were Made'Everything Everywhere All at Once' directors Daniel Kwan and Daniel Scheinert (also known as DANIELS) sit down with visual effects artist Zak Stoltz to talk about the special and visual effects used in their astonishing new movie. The Michelle Yeoh sci-fi vehicle is capturing audiences and critics with its distinctive take on the action genre. Stoltz and DANIELS explain how their small budget forced them to get creative to create something truly unique.
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‘Everything Everywhere All At Once’ Director On Oscars Backlash: ‘Sorry We Ruined Cinema For You’Daniel Kwan, co-director of the Best Picture nominee, responded to the film’s detractors in a message ahead of the Academy Awards.
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'Everything Everywhere All at Once' directors celebrate unique take on making movies'The title of the movie was the goal.' Directors Daniel Scheinert and Daniel Kwan could take home Oscars for writing, directing and producing for 'Everything Everywhere All at Once.'
Consulte Mais informação »