In this Conjuring universe spinoff, Taissa Farmiga’s Sister Irene must once again confront the devil in a black habit, Valak the Profane.
Valak, the Vatican archivist informs Irene, appears to be making its way across Europe and is now in France, where the malevolent entity seems to be in pursuit of a powerful religious relic. Why? “It’s a demon,” the priest tells her, in a somewhat unsatisfying variant of “Demons gonna demon.” Valak is unpredictable, in other words, and can take many forms, feeding on our deepest fears like they were Pringles potato chips.
But human relations are not what you come looking for in a movie set in the Conjuring universe, where Valak is the main antagonist, and which has included three movies about a deliciously malignant devil-doll named Annabelle, including the cheesily satisfying “You come for the devil in a black habit. You come for its goat-horned sidekick, the possession of human souls, accompanied by enough cracking-joint sounds to give a chiropractor nightmares.
Is it cliché? Yes. Does it defy logic and continuity? Yes, and yes. Why do some religious relics — e.g.
It’s all so confusing. But reason is an obstacle to appreciating “The Nun II.” What you need, like Irene and Debra, is faith — in this case, in the power of pure nonsense.
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