Can you disrupt an industry and earn its admiration at the same time? JustinCChang considers:
of the best picture Oscar — answered the question with a decisive “maybe.” It remains a striking anomaly and a reminder of the inherent contradictions in Netflix’s strategy: It’s a movie that might never have existed in its final form without a streaming giant, but also it’s also a movie whose ruminative pacing and immaculate visuals clearly demand to be seen on the big screen.
The completion rates on “Marriage Story” will almost certainly be higher: It’s in English and features movie stars, and despite its two-hour-plus running time, it moves swiftly and with a rich vein of physical and verbal comedy that offsets the slow-and-steady number it does on your emotions. And while the movie’s images have a fluidity and capaciousness that sometimes feel new to Baumbach’s work, they will nonetheless slip effortlessly onto your television screen with little loss of impact.
Antonio Banderas and a thickly German-accented Gary Oldman play the real-life figures Ramón Fonseca and Jürgen Mossack, heads of a law firm not known or employed for its scruples. Together they glibly navigate us through a complex and duplicitous world of offshore accounts, shell companies and daisy-chain insurance scams, as laid out by the author Jake Bernstein in his book “Secrecy World: Inside the Panama Papers Investigation of Illicit Money Networks and the Global Elite.
War — what is it good for? Opening on a corpse-strewn field of battle in the early 15th century, Michôd’s movie continually poses that question as it charts the reluctant rise of Henry V , a stripling who would be king.
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