A forthcoming book by the Danish-born, New York–based curator Jeppe Ugelvig, Fashion Work: 25 Years of Art in Fashion (Damiani), explores how past practices inform present ones on the fringes of fashion.
, which are currently embracing the art system as a space for garment production. Practices [like these] do little to no retail and instead present their work in art galleries while disseminating their work in museums and exhibition spaces and on the internet.The 1990s and 2000s remain a very unexplored territory in both art and fashion history, despite the fact that many of society’s structures underwent drastic changes in this time.
Technology is a huge theme in the book—three of the practices began in the analog ’90s; DIS emerged at the beginning of the web 2.0. All four emphasize the importance of community, sociality, and working in and with your network, often in or adjacent to the art system. While the internet jeopardized many forms of fashion work , it also spawned new platforms for work, and DIS is a great example of this.
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