‘The Echo’ Review: Tatiana Huezo Returns With Another Harshly Poetic View of Mexican Childhood

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‘The Echo’ Review: Tatiana Huezo Returns With Another Harshly Poetic View of Mexican Childhood
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“The Echo” — or rather, El Eco — is the name of a tiny rural village in Mexico’s Puebla state that sufficiently captivated Mexican-Salvadorean filmmaker Tatiana Huezo into filming…

into filming it over the course of 18 months, observing its changes in weather, fortune and the temperament of its few, tightly bonded residents in fine, fraught degrees.

After switching to DP Dariela Ludlow for her foray into fiction, Huezo reunites with longterm collaborator and personal partner Ernesto Pardo on “The Echo,” and the patient, watchful presence of his camera is integral to the raw lyricism of a project that alternates between on-the-fly spontaneity of movement and studied painterliness of lighting and compositions.

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