Moroccan writer-director Maryam Touzani’s stirring second feature maps a melancholy relationship triangle involving an artisanal tailor, his dying wife and his male apprentice.
caress the fluid folds and luxuriate in the sheen of a length of petroleum blue silk as the dressmaker’s hands slowly come into view, manipulating the fabric with obvious love and respect.
Later, he explains to a customer that the material must glide over the body’s contours, allowing it to flow unimpeded. That principle also guides Maryam Touzani’s gentle observation of her characters in a film of exquisite sensuality and sadness. The Moroccan writer-director returns to Cannes’ Un Certain Regard section three years after her well-received debut feature,
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