With two hit albums in 2019, DaBabyDaBaby has gone (in record time) from viral curiosity to one of the best — and biggest — artists in hip-hop
while freestyling over “Gucci Gang” in 2018. His on-record voice then, though, sounds muted and reserved next to the music he’s released in 2019.
“I paid for every video I ever shot,” DaBaby boasts. “$100,000 budget, $70,000, $60,000, I’ve probably spent like half a million dollars on videos this year, by myself, just me. I ain’t willing to settle for less. With the type of artist that I’m capable of being, the creativity I’ve got, it’s just no way. You can’t cheat it. You can’t cheat the game. You can’t cheat the grind. You get out what you put in at the end of the day.
There’s a sense that whenever DaBaby gets on a track that nothing but overwhelming dominance will sate his hunger. Nowhere is this more apparent than his first collaboration withFor 45-seconds, DaBaby abandons all of his usual tricks. There are no ad-libs. His voice is loud, but seems a few decibels below its normal range. The pace is noticeably faster and less percussive. The flow he’s known for is, briefly, abandoned.
“I think that I recorded that the same day that I shot the ‘Suge’ video, because we were shooting that video scene,” he continues. “I recorded it that same day with an engineer. It wasn’t the best engineer there, either. I probably would have went crazier. Buddy was slowing me down. He knew. He’s like, ‘Oh my God.’ I’m like, ‘Come on, bro. Punch me back in, brother, let’s go.”
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