The dress was surprisingly on theme, in its own way.
. The actress, musician, and dancer paired the dress with a futuristic golden headpiece that snaked onto her face, giving the already New Age design even more of a modernist twist. But as Taylor tells it, the gown—which featured a handkerchief train along with poufed sleeves and a strappy, cutout bodice adorned with plissé silk—had its own elements of the late 1800s, and thus hit the bull’s-eye on the.
This wasn’t the first time Taylor had worn the designer’s otherworldly fashions; in fact, the singer-songwriter starred in Doja Cat’svideo wearing Iris Van Herpen. But the design of the gown she wore to the Met fits perfectly with Taylor’s personal style, which tends to lean avant-garde and experimental . But choosing purple was a first for the musician, who began getting ready for the Met at around 2 PM, allowing for “plenty of time to let the team do what they need to do and not feel rushed.
“I gravitated toward this specific look because it was different than what I usually do,” Taylor added. “Seeing all the work and craftsmanship that goes into an IVH piece is mind-blowing. It’s truly a work of art. It took nine people over 600 hours to create this dress. I can’t even wrap my mind around that!” Here, Taylor shares with“First look, getting into full glam! Hair and makeup by the wonderful Curt Cobain and Yeika.
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