The pros behind the Emmy-nominated series and documentary in both sound editing and mixing categories share their approaches.
And he talks about how the rest of the sound team for the doc was like-minded, including music editor Michael Brake. “Every piece of music in here got touched, even if it was her listening to Justin Bieber on an iPhone,” Brake says. “You still want it to feel real and live, but creatively you had to figure out a way to make those pieces fit together, [for instance] going from, where it was a live recording, into a recorded version that actually scores the scenes and hits those moments better.
Forbes also saw part of his job as guiding aspects of the music with his knowledge of Billie’s tastes, sensibilities, favorite lyrics — “[things] you would never get to know unless you get to talk to the artist who created it.”
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