With an operatic intervention and a show at Pace Geneva, TeamLab, the now-700-strong Tokyo-based collective that blazed a trail for experiential, tech-fuelled art, continues to value ‘physical ...
Photography: Magali Dougados, Courtesy Daniel Kramer, Grand Théâtre de Genève, and Pace Galleryis similarly iconoclastic. The story of a prized princess testing a stream of suitors is reimagined as a dystopian game show .
Despite the game show conceit, Booth insists TeamLab was not enlisted to provide an easy spectacle. ‘When you say lasers, most people think of light shows and green beams but it’s not about that for us. We’re trying to make planes of light and three-dimensional shapes by overlapping different planes and creating moiré effects when the lights cross. It’s not a pop concert, we’re using them to express something very subtle and delicate.
The Grand Theatre is also planning to screen the production for free, live in Geneva’s Parc des Eaux-Vives. Though he admires the democratising impulse, Booth says a lot of the power of TeamLab’s work will be lost in translation. ‘Lasers are just not suited to being filmed.’ ‘As an expression, it’s very quiet but what’s happening is very dynamic; you see lines almost exploding as the figures run or walk,’ Nonaka says. ‘We are known for these very saturated and dynamic colours but just the difference in thickness and direction of these black and grey lines was enough to show the three-dimensionality of the air that moves around the human body.
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