The epic concert movie, which features more than three dozen songs, was filmed over three Los Angeles shows on the pop icon's record-breaking global tour.
as a movie. You can surely already guess, based on how much you enjoyed ‘s Eras Tour as a concert. Because this movie is exactly no more and no less than what it says on the tin: a filmed version of Swift’s record-breaking show, captured over three performances in Los Angeles’ SoFi Stadium.
But what a concert it is — and what an experience it makes, even in the relatively modest confines of a movie theater.
But just as interesting is what hasn’t changed about her. Whether she’s presenting herself as a fresh-faced country gal or an embittered outcast, Swift’s strength as a musician has always resided not in her voice but in her songwriting.features a hell of a flex on that front in the ten-minute version of “All Too Well.
Likewise, though Swift leaves the more complicated choreography to her backup dancers, she’s a master of self-presentation. After nearly two decades under public scrutiny she knows precisely how to wink or smirk or bend her spine to make her look exactly as flirty or mischievous or sexy as she needs to be. More crucially, she knows how to embody the many contradictions demanded of her.
That goes, too, for what might be her most touching contradiction. Swift is a singer-songwriter who’s built her career on love songs, and yet her truest love seems not to be any of her much-discussed celebrity boyfriends but all of us. During “Lover,” Swift pleads to “always be this close, forever and ever” and swears “to be overdramatic and true to my lover.” But as dancers sway two by two around the stage, Swift stands alone.
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