'Special Ops: Lioness' is an 'unabashed work of military propaganda that positions the U.S. Armed Forces as the 'strong' who 'protect the weak,' which apparently includes the Middle East as well as vulnerable members of U.S. society,' writes aherman2006.
projects tend to be lone wolves. They also tend to fit into specific, narrow archetypes: the vulnerable naif ; the ferocious badass ; the steely matriarch . The screenwriter is himself a lone wolf,in a cowboy hat while denigrating the use of writers’ rooms, and rose to the top of Hollywood’s hierarchy in part through a shameless embrace of genre tropes.
Sheridan has long cultivated an image in contrast with liberal cultural elites without quite aligning with their opposite. “Yellowstone” was famously rejected by HBO before earning a reputation as the “red state ‘Succession,’” though its politics have always been— or maybe just more muddled — than straight conservatism. As the above synopsis implies, “Lioness” has no such ambiguity.
By the end of the first episode, penned by Sheridan and directed by John Hillcoat, Cruz has miraculously ingratiated herself with a potential asset. We’ve also gotten a glimpse of Joe’s home life, which includes two daughters and a husband who serves as their primary parent while his wife is off at war.
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