We chat with SympathyfortheDevil cinematographer StevenHolleran about the Nicolas Cage thriller, his noir influences, thematic color schemes, and LED Volumes:
Summary SCREENRANT VIDEO OF THE DAY SCROLL TO CONTINUE WITH CONTENT Joel Kinnaman and Nicolas Cage journey on a high-stakes game of cat and mouse in Sympathy for the Devil. Kinnaman stars as an expectant father who is carjacked by Cage's mysterious character with the charge to head out into the Nevada desert, though not everything is as it seems between the two apparent strangers.
Secondly, there was a technological challenge to the film that the producers had told me about when I saw the script, which was, "Hey, we want to shoot a road movie, on dark roads at night, for the majority of the film, and we want you to do it all on an LED Volume, so the car is not going to be moving, you're gonna need to sell that it's on the road.
But all of that had to come together in a custom way. I talked with the premier plate capture companies, and no one had shot low-light, nighttime material, so after a few weeks of vetting and testing, we decided we were gonna have to do it ourselves. So everything you see behind the car in the movie, we actually captured a few days prior to shooting the actual movie.
I love that you had that collaborative experience with him, and since you mention discussing other movies as influences, did you have any, in particular, that you really looked at for this movie? Steven Holleran: Well, it was a bit of both. I would say it was a bit of finding it in the moment and choreography. So, leading up to the diner, there were conversations about, "Hey, Nic wants to do a dance scene." I think Yuval wanted to burn down the diner, and the parking lot, and those were the things that were kind of tossed in as we were already in production.
Steven Holleran: Yeah, so a fire sequence, in general, is a challenging thing to shoot always on a set, because you can't always burn things down multiple times, often times you can't burn anything at all, because it's unsafe. We were in a situation where we're in 115 degree, dead summer weather with heavy monsoons and strong winds in the desert, so burning things wasn't much of an option.
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