It's out now in UK cinemas.
, but here she takes it up another level for a performance that deserves awards recognition.
Sweeney is in practically every frame of the movie and disappears into the role of Reality Winner. It's not a showy performance; for the most part she makes Reality seem as small as she can and the verbatim dialogue is full of stutters and pauses. There's no grandstanding speech, but Sweeney is magnetic all the same.
It's an astonishing central performance that the filmmaking craft rises to. While it's often as formal as the FBI interrogation, there are visual flourishes for redacted passages of the transcript and subtle shifts in perspective to showcase Reality's emotional journey. As she grows more confident during the interrogation, she starts to take up more of the frame, rebelling against the gender politics of the FBI framing her as just some little girl who didn't know what she was doing. It's a fascinating watch, innovative in its use of the single-location which, for the most part, is a bare white room.Despite the serious nature of Reality's situation, this isn't a bleak watch either.
Marchánt Davis and Josh Hamilton provide excellent support as the two agents interrogating Reality, perfecting the dry, awkward nature of most of the exchange. When they need to be though, they switch on a dime to be intimidating, those subtle shifts of perspective coming to the fore again.is such an absorbing and excellently-crafted watch that you know you've seen one of the best movies of the year.
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