SXSW FILM REVIEW: New documentary explores the life and impact of drumming pioneer Max Roach.
The documentary about the groundbreaking jazz drummer’s career is co-directed by Samuel Pollard and Ben Shapiro, who pooled their separate early efforts to mount a singular biopic about Roach and created this informative and powerful investigation into the musician’s accomplishments and legacy.
It’s clear from the film’s opening seconds that the artist and his milieu will be inextricably entwined when we hear an on-camera white journalist asks Roach early in his career if his music can be used as a weapon. In reply, Roach, whose music demonstrably reflects the conflicted racial times, answered in the affirmative and went on to explain that even the term “jazz” is diminishing when a more proper descriptor might be something like “African American instrumental music.
We may have Max Roach to thank for the often-dreaded drum solo in modern music. Roach lifted drumming from a mere beat-keeping anchor to an expressive instrumental showpiece and compositional tool. Playing with titans such as Coleman Hawkins, Dizzy Gillespie, Charlie Parker, Miles Davis, and Thelonious Monk in his early bebop years, Roach formed several combos of his own and developed a style that fostered free improvisation, and by the Seventies even created a percussion ensemble called M’Boom.
For their interviews, the filmmakers largely tap fellow musicians who knew Roach and could add personal knowledge and reminiscences rather than jazz historians and academics presenting facts. Interviewees include such musicians as Sonny Rollins, Harry Belafonte, Roach’s former wife Abbey Lincoln, Ahmir “Questlove” Thompson, Dee Dee Bridgewater, Randy Weston, Fab 5 Freddy, and poet Sonia Sanchez.
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