It’s not even close.
is the best new TV show of the year. It’s haunting, gorgeously made, heartfelt, an end-of-the-world vision that lifts you up as much as it gives you nightmares. It may also be the year’s hardest show to recommend. Will you watch a 10-episode series in which the globe is decimated by a novel flu strain?, which is based on the 2014 best-selling novel by Emily St. John Mandel and made by writer Patrick Somerville , is uncanny television.
In the Chicago timeline, a freelance writer named Jeevan finds himself looking after Kirsten , an eight-year-old actress, and taking refuge in a high-rise condo with his brother Frank . These three will ride out the dark early months of the pandemic in a kind of magical wintertime isolation.The future timeline is carried by a luminous, flint-hard performance by Mackenzie Davis as a grown-up Kirsten. She is as great playing Hamlet as she is defending herself with a bowie knife.
Most of all I was rapt by the production design; the steady direction by, among others, Hiro Murai ; and the haunting score—the sense that this show has been precisely made in an era of churn-and-burn TV.The first three episodes of
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