This spring brings the 80th edition of the Whitney Biennial, the first comprehensive show of Louise Bourgeois’s paintings from the 1930s and 1940s, and an unprecedented Henri Matisse exhibition.
is the eightieth edition of the museum’s influential and inevitably divisive take on the current state of American art. The exhibition’s co-curators, David Breslin and Adrienne Edwards, began envisioning the show before the pandemic shutdown, which delayed their efforts by a year. The plans they’ve announced reflect the exceedingly fractious and polarized national mood but also promise a semblance of sanctuary.
The Brooklyn-born Jamel Shabazz, one of the first to document the hip-hop scene in New York City, is often described as a proto-street-style photographer. But Shabazz’s pictures convey more than his subjects’ flair for fashion; his four-decade œuvre is an incisive portrait of outer-borough joy and resilience.
Forget those empty spectacles which bring famous paintings to digital life and mark your calendar for the real thing:. The unprecedented loan exhibition unites a crown jewel of the museum’s collection, made in 1911—a vibrant scene of Matisse’s atelier, filled with eleven of his paintings and sculptures—with the ten extant works that it depicts. ♦This Week’s Issuestory again. Sign up for This Week’s Issue and get an e-mail every week with the stories you have to read.
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