Spider One's feature debut, Allegoria, is an unfocused anthology that sets him up to be a horror director as divisive as his brother Rob Zombie. DoNatoBomb's review:
is a low-budget arthouse take on the darkness and corruption that lurks not far behind creative pressures. From the mind of Powerman 5000’s frontman—Rob Zombie’s little brother—comes something akin to Zombie’s, where unwieldy horror expressionism takes the wheel. That said, that’s where bloodline comparisons stop; Spider One isn’t walking in his brother’s carnie-psycho footsteps.
The collection of segments only runs a few minutes over an hour, so it’s a brief affair. Chapters cover the following creative professions in order: Acting coach Robert Anderson Wright , artist Marcus , screenwriter Eddie Park , a photographer’s smitten muse and a band called Rats in Paradise. Actress Brody becomes the wraparound thesis of it all since she’s seen in Robert’s grueling performance class, then again after Rats In Paradise plays some forbidden notes.
The most successful snippet of the bunch is Eddie Park’s manifestation of inferiority and impostor syndrome while writing a horror screenplay. His killer, The Whistler , magically appears in his apartment as a murderous collaborator. Eddie’s enthusiastic inner-monologue as he types another typical horror flick scene turns to fear when The Whistler starts suggesting rewrites—by acting out the violence and terror on Eddie, then his partner.
There’s a narrative rewind at play, which introduces supernatural horror at the onset—Robert pushes his students too hard and causes one pupil to summon the monster within—but gets to explanations last. It’s a bit jarring in this format, as quickie parables enter and exit with thematic demons that exist only to provoke until itsLite finale.
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