Outlaw-country road song mixes Telecaster twang with London Symphony Orchestra strings
, recorded at Abbey Road Studios, deftly mixed orchestral flourish with outlaw country. That seemingly unconventional mash-up is front and center on the exhilarating “Danger,” shipped to radio last month. Think of the song as the product of the “Waylon Philharmonic” — twangy Telecaster notes blend with the lush strings of the London Symphony Orchestra in a classic road tale that doubles as a piece of fatherly advice from singer Mike Harmeier to his young son.
“It was me trying to tell a story to my kid about what I was doing while he was a one-year-old,” says Harmeier, who recounts some of the pitfalls he’s sidestepped — or suffered — while on tour. There are run-ins with the law, a heartbreak in every city, and the shadow of his own father looming over him. To drive that last idea home, the band and producer Adam Odor recruited Shooter Jennings to lend background vocals.
The growl of their voices and the deliberate beat of drummer Kyle Ponder lend “Danger” an ominous tone, suggesting there’s trouble right around the corner. Listening to it today, where even a brief public interaction can potentially kill you, it’s even more cautionary.I’ve lost love and I’ve cursed the man aboveBut I’m still here — and so are you
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