Cinema can find so many ways in. Alejandro Landes’ astonishing “Monos,” recently named Colombia’s official Oscar submission, seeps in through the skin like a sweet, druggy s…
’ astonishing “Monos,” recently named Colombia’s official Oscar submission, seeps in through the skin like a sweet, druggy sickness — the kind that heightens and sharpens your dreams even as it scrambles them, making the brights brighter and the darks darker, while keeping you feverishly uncertain about whether the next cut will bring rapture or nightmare.
They have little understanding of, or interest in, the wider political game in which they are such expendable pawns, but initially there’s a sort of savage stability under the leadership of Wolf, who is left in charge by their diminutive captain and drill instructor Mensajero .
This consistently unsettled point of view gives the film a shifting focus, reflected in the way that first Wolf is the protagonist, then the Doctor as she attempts an escape, then it’s Bigfoot morphing into a murderous, pint-sized Col. Kurtz. Finally, the story coalesces around the androgynous Rambo, who comes to represent the tiny flare of fearful, hopeful humanity that remains inside them all — the boys, the girls, the bullies, the victims — amid so much cruelty and despair.
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