Nadia, and the rest of the cast, have much bigger wardrobes to accommodate the show’s time-traveling narrative.
“But it was a strong contender,” she adds, “because it really did immediately give you Nadia.”
Rogien and her team did need a wardrobe that could hide a lot of padding for Lyonne’s stunt doubles, as the character repeatedly met a gruesome end. There is also more daylight in season two, and a little bit more optimism. The time travel scenes take place in the early ’80s, which feels a bit more like the late 1970s, a very distinct era in fashion. Chloë Sevigny dons a suede and shearling swing coat and rose floral dress.
A self-described “theater kid,” Rogien, 42, grew up in Montana and Idaho. Her mother — a nurse practitioner and teacher — taught her to sew; she made clothes for Rogien and her four siblings when they were children. College at Yale brought her to the Northeast, where she worked in the university’s theater doing makeup and, because she could sew, costuming. “For a hot minute, I thought I would be a makeup artist,” she says.
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