Swiss auteur Simon Jaquemet’s “Electric Child” joins Ukrainian sci-fi comedy “U Are the Universe,” and “We Are Zombies,” from heavily rated Canadian trio RKSS, as three potential highlights at…
Swiss auteur Simon Jaquemet’s “Electric Child” joins Ukrainian sci-fi comedy “U Are the Universe,” and “We Are Zombies,” from heavily rated Canadian trio RKSS, as three potential highlights at this year’s Cannes Marché du Film’sFocusing on genre, the Frontières showcase is emerging as one of the Marché du Film’s biggest market plays, supercharged by this year’s milestone Oscar triumph of “Everything Everywhere All at Once,” smart genre’s popularity among an emerging generation of...
“U Are the Universe,” deserves a special mention, given the sheer challenge of completing a project under the pressures of the military action taking place in Ukraine.’ second section, its Proof of Concept project showcase, features “Quest of the Gods,” which even at this early stage looks a hugely ambitious film visually, plus – a rarity among genre – the animated feature “Pesta.
Another notable trend is a diversification in countries of origin, this year’s selection including titles from Ukraine and Serbia, Bosnia & Herzogovina and Montenegro, Mahnert told “I’m so glad to see these countries starting to submit to us because we didn’t have so many projects coming from the Eastern European territories in the past. So something’s happening and we just love to support projects in new regions.
Many of these titles appear to mix together all of what could be considered genre into box-defying narratives. This approach reflects a new generation of filmmakers’ adeptness at moving between and within genre.
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