Film critic Justin Chang reviews the ninth episode of the “Star Wars” saga. (Warning: This article does commit the unpardonable sin of discussing the plot of the movie.)
“The dead speak!” Those three words, crawling up the screen in familiar yellow letters, are the first thing we see in “The Rise of Skywalker,” the frenzied big-bang finish of the latest and likely not last “Star Wars” trilogy. There are ominous signs that Emperor Palpatine, the vile Sith lord vanquished at the end of 1983’s “Return of the Jedi,” may be staging a comeback from beyond the grave.
Abrams originally filmed Fisher’s scenes for 2015’s “The Force Awakens,” which established this trilogy’s central conflict between the evil First Order and the scrappy, heroic Resistance.
The unpretentious zippiness of Abrams’ direction infuses this chapter with what my screening companion described as “that ‘Star Wars’ flavor”: a breezy mix of jaunty comedy and bloodless action, high-spirited banter and high-flying peril. There are momentous aerial chases and lightsaber battles, the best of which is staged against beautifully cascading walls of water. There are lovely new landscapes and widescreen vistas .
Rey sees the latent potential for redemption in Kylo Ren; he sees within her the early stirrings of the Dark Side of the Force. His parents, Leia and Han, are Rebel Alliance royalty; hers were nobodies who abandoned her in the desert.
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