Review: ‘R.M.N.’ is a must-see Romanian drama — and a Christmas movie like no other

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Review: ‘R.M.N.’ is a must-see Romanian drama — and a Christmas movie like no other
Brasil Últimas Notícias,Brasil Manchetes
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A small Transylvanian village riven by racism is the setting of this latest slow-burning drama from the Romanian writer-director Cristian Mungiu ('4 Months, 3 Weeks and 2 Days').

If “R.M.N.” had been released in American theaters at the end of last year, it would have made for a sensational piece of seasonal counterprogramming. A riveting downer from the gifted Romanian writer-director Cristian Mungiu, the movie begins a few days before Christmas, when a man named Matthias , taking a break from his job slicing open carcasses in a German slaughterhouse, gets called a “lazy gypsy” and throws an instinctive, ill-advised punch.

“R.M.N.” isn’t a nativity story; it’s a nativism story, a roving panorama of small-town hostility and a microcosm of tribalist enclaves the world over. It’s also a mystery, one that begins and ends in confusion, and something of a romance, thanks to the intriguingly if befuddlingly mismatched Matthias and Csilla. Matthias is a boor and a bully, gruff with his estranged wife, Ana , and eager to mold the sensitive young Rudi into a model of chest-beating manhood.

For those whose ears are untrained in the differences in language, this polyglot approach can be initially overwhelming, even confusing. At the same time, Mungiu is a master of the long, talky slow burn, and if “R.M.N.” often feels less focused and more sprawling than some of his earlier movies , that’s a testament to its expansiveness and ambition.

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