At the L.A. gallery there-there, the boundaries of paint are pushed in works that evoke topographical maps and computer printouts gone awry.
“Test Patterns,” the title of Fritz Chesnut’s intriguing show at the L.A. gallery there-there, applies even better as an imperative than as a noun — a command that jump-starts a process rather than a description of what is produced.
This might sound clinical, but there is nothing dry or prescribed about either Chesnut’s methods or his work. He pours paint onto canvas, tilting the surface to guide the mix and flow. He pushes paint through stencils and screens; he sprays it atop other paint. He catalyzes the forces of gravity and chemistry. The paintings spur curiosity about their making and offer rich sensory encounters. Textures run the gamut: sticky, chalky, crusty, slick.
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