While XVI is overtly darker than many past games in the series, that darkness reveals itself to be mostly superficial.
than any other game from the series. Clive’s swordplay and magic attacks, growing in complexity as he gains new powers throughout the game, combine colorful anime kineticism with a weighty, impactful trading of blows between protagonist and enemy. Though not entirely dissimilar from the flashy menu-driven battles of other recentgames, it’s still a significant departure in style that lends an appropriate sense of immediacy to the fights.isn’t positioned as a spin-off or original release.
The commentary it offers on real-world issues are oblique enough—and too diluted as metaphors by the inclusion of literal magic and godlike characters—to end up as much more than worldbuilding pillars supporting its real interest: offering look at the mechanisms that enable and propagate authoritarianism and its intersection with religious faith.
It’s aided in this by the natural grandeur of its painterly environments, which, even when littered with dead bodies and slavering monsters, create an imperative to preserve a fictional world that extends beyond exposition about the importance of doing so.
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