The prolific Japanese director Takashi Miike embraces gangster-movie clichés with heart and verve.
His latest movie, the nimble and sweetly disarming “First Love,” finds him in a comparatively mellow mood. The scariest thing we see in it — a bespectacled, middle-aged man wearing only a pair of tighty whities and running straight at the camera — may not be a freakout for the Miike pantheon.
A terminally ill boxer; a sex worker with a heart of gold; two noble, downtrodden souls with no one else to turn to: Masa Nakamura’s screenplay boasts enough archetypes-verging-on-stereotypes to populate an old 1950s heart-tugger straight out of the Warner Bros. vault. Then again, I doubt that said heart-tugger would have featured a one-armed mafioso or a grief-crazed moll who goes on a crowbar-dragging rampage after her pimp boyfriend bites the dust.
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