I’m ecstatic to report that the day has finally come: 'Red, White & Royal Blue' is a movie content with being absolutely nothing.
are desperate to be lauded for their willingness to let two people of the same gender kiss in front of a fake tree from Lowe’s. Don’t get me wrong, those things are significant and I devour them with glee. But sometimes, I wish I could watch a gay movie that is unconcerned with its own manufactured notability, a movie satisfied with its central queer characters having no substance at all.is a movie content with being absolutely nothing. With this film—which premieres on Prime Video Aug.
Right away, we meet the potential heir to the English throne, Prince Henry , and his apparent archrival, the son of the American president, Alex Claremont-Diaz . The two men have a feud as vague as both their respective ages and the trade agreement being finalized between the United States and Britain, the diplomatic reason that Alex must attend the royal wedding of Prince Henry’s older brother, Philip .
If the film spent more time developing Alex’s character alone before throwing him into a royal hornet’s nest,might have a chance at getting audiences who haven’t already read McQuiston’s novel to care about the fate of the president’s son. Instead, the film haphazardly fills in character backstories with sloppy exposition and poorly executed fake news reels.
Despite their fundamental differences , the romance between the Prince and the President’s son moves fast. Too fast, evidently, for Alex to wrap his head around the fact that Prince Henry is not allowed to be an out gay man under the laws of the monarchy, even though Henry reiterates that fact to his secret boyfriend constantly. It only takes one same-sex kiss for Alex to accept being bisexual—or “,” as Perez delivers it in his line reading—but Henry’s queerness must remain hidden.
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